Music

Digital Music Archive

Online archive of music from the Civil War in El Salvador (1980-1992) that permanently preserves recent and historical recordings of songs related to the armed conflict. This is a first version of a community-based and participatory archiving project led by community needs in El Salvador. Soon, in a second stage, this archive will be publicly available through an easy-to-access application.

Access the digital archive here.


Songbooks

We work with communities and musicians to create songbooks, which include transcriptions of the lyrics of wartime songs alongside explanatory information, images, or relevant testimonies that speak to the songs’ importance for specific repopulated communities. These are available as e-books (with recordings of the songs built-in) and will soon be available as printed books. Thus far, we have produced one songbook with the community of Las Vueltas and one that documents the songs of musician-organizer, Don Felipe Tobar.

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Historical Memory Workshops and Testimonies

In our historical memory workshops, the music team fosters a space for community members to share memories of wartime music-making together. We also record songs for the digital music archive at these events and take individual testimonies on these topics. We end our workshops with an evening gathering for the community, featuring a performance by a local group specializing in wartime folk songs, encouraging inter-generational education about wartime music.

Music at the Commemorations

One study examines the annual commemoration events that mark major wartime civilian massacres by the army. These events are often quite elaborate, with music performed throughout, alongside speeches, dramatic re-enactments, and religious activities. Using an ethnographic approach in collaboration with a Salvadoran musician, we have conducted participant observations and recorded songs and rituals that occur during these events, and recorded interviews with participating musicians and organizers.

Individual Musician Studies

As well as considering music as community expression, we also conduct studies of well-known singer-songwriters active during the Civil War. One such study resulted first in Juan Bello’s documentary Norberto Amaya – Songwriter (Triana Media, 2018).We have also authored an academic article about this musician, who was known as “Don Tito,” considering how his music served both psychological and political needs during the war, to be published in January, 2025 in the Journal of American Musicological Society.

Music Education – Historical Study

Another study considers music education initiatives launched since the end of the civil war. Thus far, we have focused our research on two arts centres: Centro Arte para la Paz (Suchitoto) and Centro de Arte y Cultura Paco Cutumay (Segundo Montes). Our comparative case study of these schools will explore the ways they engage in music-based peacebuilding, triangulating data from documents and class observations with interviews of administrators, facilitators, and students.

Music Education – Peacebuilding Workshops

In our historical memory workshops, the music team fosters a space for community members to share memories of wartime music-making together. We also record songs for the digital music archive at these events and take individual testimonies on these topics. We end our workshops with an evening gathering for the community, featuring a performance by a local group specializing in wartime folk songs, encouraging inter-generational education about wartime music.

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